Thursday, March 14, 2013

Film: Star Wars Episode 1 - The Phantom Menace (1997)

Film: Star Wars Episode 1 - The Phantom Menace (1997)


Viewed as a travesty by rabid Star Wars fans upon its release, time has been kind to Episode One. While riddled with faults, Lucas shows himself once again to be ahead of the times with a film that has set the template for the modern 21st Century blockbuster. Though lacking the charm and excitement of the original trilogy, this first of the prequels is still a thoroughly entertaining children's movie that builds an interesting backstory to the boy who will one day become Darth Vader.


First and foremost, forget all this 'Episode One' bollocks. Yes, this is a prequel, but one that is absolutely constructed to be watched with a knowledge of the original Star Wars, its themes and its characters. The same opening fanfare and titles instantly tap into a shared cultural nostalgia. The opening blurb, however, is our first warning that this will be different to the first trilogy with its yawn inducing talk of taxation and blockades. Instead of sci-fi we seem to be watching Newsnight. Thankfully we soon get a pretty spaceship, a space station that looks like a doughnut and a couple of Jedi Knights. Soon Qui Gon Jinn (Liam Neeson - mullet) and Obi-Wan Kenobi (Ewan McGregor sporting the galaxy's worst ponytail) are in trouble and battling killer robots before landing on Naboo and witnessing an invasion of CGI tanks. Once again, time has been kind - while our teeth ground at the slightly slapstick CGI robots slathered against CGI backgrounds back in 1997, this is now how most of our blockbusters are made. In a world of John Carter, Avatar, 300 and Watchmen, this worship of pixallated sets and characters doesn't seem as extreme.

Yussah say mesah a big old racial stereotypie? How rude!
This extends to Episode One's most controversal character as well - Jar Jar Binks. His cod Jamaican accent still grates but it now seems quite normal to have a totally CGI character and, while his slapstick accidents are still rubbish, my kids laughed their heads off. Us adult Star Wars fans can shake our heads and say how the originals were better but this film wasn't made for us. Really - is Jar Jar any worse than the Ewoks? And let's face it, the Gungan underwater city is a thing of true beauty, as eye-catching in its way as the Italian inspired Naboo city with its waterfalls and green copper towers. While Star Wars was all fascist chic vs hippies, The Phantom Menace has a gloriously varied design palette; Queen Amidala's outfits are ridiculous yet totally glorious as are Naboo's retro spaceships - all curved lines and reflective surfaces - the way we imagined spaceships would look like before films like Star Wars and Alien came along. The industrial metropolis of Coruscant is equally beautiful as legions of art deco traffic stream across bright orange sunsets. In every way, from costumes to sets to CGI, Episode One is gorgeous to look at, the frames always filled with details and interest.


What hampers Episode One the most is the fact that it's all set up with little pay off. With three films to fill Lucas can't go all guns blazing. The nature of Anakin's established story, that he became a Jedi and then turned on his kind means it has to be a slow burn - the obvious end to this trilogy has to be Anakin becoming Vader so the trick is to seed enough to satisfy while still keeping us wanting more. Here Lucas fails. Phantom Menace is slow and initially quite dull and only really gets the blood pumping once on Tatooine. Once again seen with distance Jake Lloyd is fine as a pre-teen Anakin and is similar to Mark Hamill's Luke (his film son after all). It probably would have better to start with a slightly older and more nuanced Anakin but that's not the Star Wars way. Once again, Anakin is perfectly acceptable to the children the film is aimed at, who would love to fly a dangerous space mission with R2-D2 beeping from the rear - and how nice it is to see the little robot and his camp sidekick, even if poor C-3PO is naked.


We must be less forgiving of some of Lucas's other choices. Watoo is a grotesque Jewish stereotype, a hundred times more offensive than Jar Jar and the pseudo-scientific explanation of the Force as some symbiotic alien organism that has created Anakin, immaculate conception style, is also in very bad taste, riffing on Christianity in a way that just isn't necessary. Anyway, Shmi Skywalker would say that, wouldn't she? C'mon - we've seen Return of the Jedi and know what goes on with slave girls on Tatooine - Anakin's dad is probably Jabba the Hut. Phantom Menace is also dominated by scenes of people sitting and talking. Yes, we know this is to show the indolence and overconfidence of this Republic, but it hardly makes for edge of your seat viewing. To cast Samuel Jackson as a Jedi and then have him sit in a funny chair talking to a puppet is pretty unforgivable. While we're on this subject, who designed this Yoda puppet? It's bloody awful.


The cast do their best with a range of one dimensional characters. Neeson can do this noble act in his sleep but does ground the film with his calming presence. McGregor is game and his accent, though initially comical hits the right note of influence but not impersonation of Alec Guinness. Natalie Portman gets more of a bum deal, spending much of ther film dressed as a giesha with a candalabra stuck on her head. She's better while posing as servant Padme but still has little to do other than get close to stamping her foot now and again. As an aside, yes that is Kiera Knightley playing her double. The rest of the heroes are pretty faceless and poor old Terrence Stamp wanders on for a cameo as the soon to be deposed Chancellor as if he's just wandered in from a different movie. The villains, as usual, have more fun. Darth Maul is a good Vader replacement with a fantastic look and played with gusto by Ray Park. It's a shame he's killed off as he could have become as iconic in his own way as Vader. Best of all is Ian McDiarmid as Senator Palpatine, the Sith in their midst. With his mock innocence and ingratiating manner McDiarmid gives the best performance in the whole movie (and consequently the whole trilogy).

Kids - don't try this at home
In a film that is overlong and occasionally dull, Phantom Menace does have two great set pieces. The Pod Race, although resembling a computer game, is proper edge of the seat stuff, wonderfully conceived and realised by CGI. You can't help but swerve and duck as the mad little machines swoop in and out of caves and crash into each other as the camera loops and zooms. The other great moment is the lightsaber duel between our two Jedis and Darth Maul, with his fantastic two bladed lightsaber. Park is a wonderfully energetic little fella, bringing a new feel to the fights and a world away from Alec Guinness and the Green Cross Code Man and their gentle line dancing. John Williams comes up trumps again with his rousing choral Duel of the Fates, showing that, 20 years on, he's still the Guv'nor.

Look out for the sidesplitting new Lucasfilm sitcom 'Roger Roger'
Star Wars Episode One: The Phantom Menace is not the strongest Star Wars film and all too often it idles in second gear when it should be racing along in fifth. Yet it still sets things up nicely, is consistently lovely to look at and shows a director technically years ahead of his competition. It's main crime is not being able to realise our unrealistic expectations - that it could make us seven again. If you haven't seen it since its release you may find giving it another chance will lead to a pleasant surprise.

GK Rating: *** The Blog of Delights

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